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Los Angeles, CA - Though it’s been 52 years since his tragic passing, John Coltrane’s importance and influence have never been greater. Though active for a relatively short period—from 1957 to ’67—he was an intrepid spirit who developed at a feverish pace. Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. Coltrane ’58: The Prestige Recordingsout March 29th on Craft Recordings, is a box set (8-LP, 5-CD & digital formats) that chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed “sheets of sound.”

 The timely release of Coltrane ’58 marks the 70th year since the founding of Prestige Records and comes just after the 60thanniversary of these recordings. It also follows on last year’s successful release of Both Directions at Once, which debuted at No. 21 on the Billboard 200, the highest chart position of his career.

 Coltrane ’58 brims with the shared jazz repertoire of the day—blues, bebop standards and familiar ballads—as well as original compositions and obscure tunes Coltrane rediscovered. Together they offer an array of emotional depth and instrumental prowess, showing how the rising saxophonist was actively stretching sound and increasing the intensity, and shifting the direction of what jazz performance was about. Included are definitive versions of “Lush Life,” “Lover Come Back to Me,” “Stardust,” “Good Bait” and “Little Melonae”; first recordings of originals like “Nakatini Serenade,” “The Believer,” “Black Pearls” and the heartfelt “Theme for Ernie”; and extended tenor saxophone tours-de-force such as “Russian Lullaby,” “Sweet Sapphire Blues” and “I Want to Talk About You” that anticipate the stratospheric heights Coltrane would reach in the 1960s.

 In 1958 Coltrane was still two years away from emerging as a bandleader, but his membership in ensembles led by Miles Davis and Thelonious Monk had propelled him into the spotlight as one of jazz’s most exciting and controversial figures.Coltrane ’58 serves as a window onto the shock and awe—and eventually deep appreciation—Coltrane generated during this period, when his sheets of sound approach pushed the bebop ideal of slaloming through a tune’s chordal pathways to its extreme.

 To be sure, Coltrane ’58 is more than sheets of sound: It’s the sound of Coltrane working and smoothing out those sheets and exploring other ideas as well. For example, he frequently played in double-time—as if the chords were moving twice as fast as the rest of the band—and, if the music called for it, he’d decrease the intensity, caressing and embellishing a melody, an aspect that could calm the toughest critics.

Produced by Nick Phillips, the vinyl box includes eight 180-gram LPs, remastered from the original analog tapes by Paul Blakemore (all of which were recorded by renowned engineer Rudy Van Gelder) and cut by Clint Holley from 24-bit/192kHz transfers. The lavish, linen-wrapped, portfolio-style book features an eye-catching design and includes 40 pages containing extensive liner notes by Grammy®-winning American music historian Ashley Kahn, rare ephemera and historical photographs of the saxophonist and his collaborators, including several taken by renowned jazz photographers Francis Wolff and Esmond Edwards. The 5-CD edition, containing a 76-page book, is a faithful replica of the 8-LP vinyl box.

 Coltrane ’58 reveals other significant aspects of Coltrane’s emergence, too, like his growing status in the hard bop brotherhood of the day. He recorded with contemporaries (many future legends in their own right), including pianist Red Garland; guitarist Kenny Burrell; trumpeters Donald ByrdFreddie Hubbard and Wilbur Harden; bassist Paul Chambersand drummers Art TaylorJimmy Cobb and Louis Hayes. The sessions all took place in Rudy Van Gelder’s legendary home studio in Hackensack, New Jersey, where so much of the best jazz of that era was recorded. Coltrane’s music of 1958 benefits from a marked blue-collar, pressure-cooker aesthetic: Born in three-hour sessions with minimal rehearsal, head arrangements and mostly first takes, these tracks provide a true and transparent view of the talent Coltrane was able to draw upon and the timeless, improvised magic they created together.

 It’s a challenge today to imagine how radical Coltrane must have sounded sixty years ago to jazz listeners accustomed to a gentler, lyrical flow. In his liner notes, Ashley Kahn sees an enduring relevancy in Coltrane’s bold chance-taking, as a creative artist and an African-American: “In the context of current headlines and an overriding sense of déjà vu, Coltrane’s music rings clearer than ever, with even greater meaning than it had in 1958. What he was playing then never felt less than urgent and relevant—subversive even. It still sounds that way.”

 Remarkably, the majority of this music wasn’t released until the ’60s on various albums after Coltrane’s emergence as a bandleader, denying these 37 tracks the chance to tell their own collective story. By sequencing this music in the order of its original creation, Coltrane ’58 clearly delineates Coltrane’s first full year as a recording artist, finally allowing fans to experience—track by track—the emergence of a master improviser in his first great career crest.

 The box set is now available to pre-order in 8-LP and 5-CD (digital formats available on 2/1): Click here

 Special bundle packages featuring a limited-edition Prestige t-shirt are available exclusively via the Craft Recordings online store: Click here

Gary Burton to Take Another Look on 5-LP Set

Join us in looking back on Gary Burton’s legacy

November 2, 2018

Gary Burton_Take Another Look

Gary Burton’s legacy is an estimable one, a wealth of riches traversing the boundaries of genre, style, nation or generation. It’s nearly impossible to summarize such an adventurous career, but Take Another Look: A Career Retrospective offers a stunning and well-curated overview in 35 tracks over five 180-gram vinyl LPs – including one previously unreleased offering from his New Quartet, a rendition of Pat Metheny’s “Elucidation” from 2005. The included booklet features rare photos, ephemera and insightful liner notes by Neil Tesser: critic, radio host, GRAMMY®-winning author, and editor of Gary Burton’s acclaimed autobiography Learning To Listen (Berklee Press, 2013).

The collaborators represented on Take Another Look  are a staggering array of marquee names from the jazz world and beyond: icons like Chick Corea, Keith Jarrett, Jim Hall, Roy Haynes, Steve Lacy, Michael Brecker, Carla Bley, Steve Swallow, Dave Holland, Stéphane Grappelli, tango master Astor Piazzolla and pioneering soul drummer Bernard Purdie; genre-blurring fusion greats including Bob James, Peter Erskine, and Will Lee; Burton discoveries-turned-jazz-giants such as John Scofield, Larry Coryell, Pat Metheny, and Julian Lage; ECM staples Ralph Towner, Eberhard Weber, and Wolfgang Muthspiel; and countless others.

Buy Now

Available at all fine vinyl and digital retailers.

“Recordings are a way of documenting your work and exposing it to a much larger global audience,” Burton says. “And in the end, as this collection demonstrates, it becomes your enduring
legacy as well.”


Produced by Nick Phillips and Gary Burton
Mastered by Joe Tarantino
Manufactured by RTI


Compilation/Reissue Produced by Nick Phillips. Released February 16, 2018

Compilation/Reissue Produced by Nick Phillips. Released February 16, 2018



On February 16, Craft Recordings will release a deluxe edition of one of the most iconic and enduring records in jazz. Celebrating the 60th anniversary of the recording session in 2017 and the 60th anniversary of the first stereo release of the album in 2018, Way Out West, alongside Saxophone Colossus, cements Sonny Rollins’ status as one of the top tenor saxophonists of all-time. This meticulously compiled package pays appropriate tribute to the importance of the landmark recording with an audiophile-quality pressing of the original album and a second LP of bonus material featuring rare and previously unreleased tracks from the legendary 3 A.M. session with bassist Ray Brown and drummer Shelly Manne. Both records are pressed at Quality Record Pressings (QRP) on 180-gram vinyl from lacquers cut by George Horn at Fantasy Studios. GRAMMY® Award-winning writer Neil Tesser contributes liner notes, which include excerpts from a recent interview he conducted with Rollins especially for this release. Rare photos by famed jazz photographer William Claxton round out the collection, which comes housed in a handsome, hinged box. More info below on the album and Rollins.

Way Out West (Deluxe Edition) will also be available at streaming outlets, mastered for iTunes, and in Hi-Res digital (96/24 and 192/24) on street date. Pre-order Way Out West (Deluxe Edition) on Amazon.

For more info, visit Craft Recordings on Facebook, Instagram, YouTube and Spotify.



Compilation/Reissue Produced by Nick Phillips. Released 12/15/17.

Compilation/Reissue Produced by Nick Phillips. Released 12/15/17.



Los Angeles, Calif – Craft Recordings, the Catalog Division of Concord Music is proud to announce the release of Thelonious Monk’s The Complete Prestige 10-Inch LP Collection. Released on December 15th, the limited-edition box set includes all five of the 10” vinyl LPs which the pianist recorded for the jazz label, spanning 1952 to 1954. Each album has been faithfully reproduced – from the jacket design to the LP labels – while the audio has been carefully restored and remastered by Joe Tarantino from the original analog tapes, with lacquer cutting by George Horn and Anne-Marie Seunram at Fantasy Studios. Rounding out the collection is a booklet with new liner notes by Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American OriginalThe Complete Prestige 10-Inch LP Collection will also be released in high-res and standard audio formats across all streaming and digital platforms.

Thelonious Sphere Monk (1917-1982), who would have turned 100 this year, remains one of the most highly regarded jazz artists in history, known for his unique style on and off the piano. Monk was a rule-breaker, pushing the limits of his genre, with his dissonant chords, unconventional melodies and progressive rhythms. Initially dismissed an eccentric by the musical elite, Monk stood his ground, and came to be celebrated for his complexities; considered by many to be a genius.

However, in the early ’50s, the artist was still struggling to find critical and commercial acceptance. In his liner notes, Robin D. G. Kelley refers to this era as the “golden years in terms of [Monk’s] creative output” but, he adds, “these were also dark times.” Following an unjust run-in with the law, the jazz musician’s cabaret card was revoked, preventing him from performing at New York clubs, and restricting his income. The artist’s fortune began to change, though, in 1952, when Prestige Records’ founder Bob Weinstock offered Monk a recording contract. Weeks later, the Thelonious Monk Trio  ̶  consisting of Art Blakey (as well as Max Roach on select tracks) on drums and Gary Mapp on bass, went to work in the studio, with a young Ira Gitler as producer. The resulting 10-inch LP release was Thelonious. By the fall of 1953, Monk returned to the studio, this time with a quintet, for Thelonious Monk Quintet Blows For LP, featuring Sonny Rollins on tenor saxophone. Thelonious Monk Quintet and Thelonious Plays followed in 1954. In the final 10-inch LP in this collection, recorded in October of 1954, Monk was actually a last-minute replacement for Elmo Hope at a Sonny Rollins session. But he ultimately received co-billing on the resultant 10” LP release, Sonny Rollins and Thelonious Monk. Also produced by Gitler, the LP includes an 11-minute jam of Vincent Youmans’ “More Than You Know” which, as Kelley puts it, became “the session’s masterpiece, a sublime dialogue between two great masters of modern music.”

These early albums in The Complete Prestige 10-Inch LP Collection offer an intriguing look into this distinctive and resolute artist before he found full acclaim and acceptance, and feature an impressive collective personnel that includes some of jazz’s finest. “Listening to these tracks more than sixty years after they were recorded, it’s stunning how compelling, modern and original Monk’s music still sounds, even through the filter of 21st-century ears,” observes the collection’s producer, Nick Phillips. “That’s the mark of a true musical genius, indeed.”

Order The Complete Prestige 10-Inch LP Collection on Amazon:

Bill Evans Trio On a Monday Evening voted Historical Album of the Year in DownBeat Readers Poll

"...a high point in the piano icon's acclaimed career."


A collection of our favorite songs by the artists who joined us at THE Show 2016

Blue Coast Records was founded for artists like these: exceptional musicians and performers. Our special release for THE Show Newport 2016, this compilation album features our favorite tracks from Alex de Grassi, Jenna Mammina, Nick Phillips & Jenny Maybee, Valerie Joyce, and Meghan Andrews & Marco Ferrero.

Miles Davis: The Complete Prestige 10-inch LP Collection

Produced by Nick Phillips. Released May 13, 2016.

Produced by Nick Phillips. Released May 13, 2016.

11-LP box set includes all of Davis’ 10-inch albums on Prestige Records that feature the artist as a leader   

LOS ANGELES, Calif. — In advance of what would have been Miles Davis’ 90th birthday, Prestige Records, a division of Concord Bicycle Music, will celebrate this milestone with The Complete Prestige 10-Inch LP Collection — a lavish, 11-LP box set that commemorates the legendary trumpeter’s appearances as a young leader for Prestige Records during the 10-inch LP era, from 1951 to 1954. Street date is May 13, 2016.  

The Complete Prestige 10-Inch LP Collection presents all ten 10-inch LPs on which Miles Davis appeared as a leader for Prestige Records, plus a bonus record featuring Davis as a guest artist withLee Konitz, all remastered from the original analog master tapes and faithfully reproduced on 10-inch vinyl, including the original cover artwork and liner notes. Also in the box is a 16-page booklet featuring rare photographs and insightful new notes byGRAMMY® Award-winning author Ashley Kahn, as well as a collectible print of a painting by Davis. The complete list of albums includes: Modern Jazz Trumpets (featuring Dizzy Gillespie, Kenny Dorham and Fats Navarro); The New Sounds;Blue PeriodMiles Davis Plays the Compositions of Al CohnMiles Davis QuartetMiles Davis All Star SextetMiles Davis QuintetMiles Davis with Sonny RollinsMiles Davis All Stars, Vol. 1; Miles Davis All Stars, Vol. 2 and, as a bonusLee Konitz’s The New Sounds, featuring Davis as a guest artist. These records offer an incredible lineup of talent, including performances by Art Blakey, Al Cohn, Roy Haynes, Percy Heath, Milt Jackson, Charles Mingus, Thelonious Monk, Max Roach, Sonny Rollins, Horace Silver and Zoot Sims, among many other legends of the genre.  

Nick Phillips, the producer of the box set, remarks, “This collection presents an exciting and important period in Miles Davis’ development as an artist; one in which he is clearly distinguishing himself from the other bop stylists of the era and is rapidly developing the uniquely lyrical and powerful voice that remains so instantly recognizable and influential to this day.”

In addition to the vinyl box set, Concord is in the process of making Davis’ entire Prestige catalog of 12-inch albums available as 24-bit digital editions. Each title has been meticulously restored from the original analog tapes by GRAMMY® Award-winning mastering engineer Paul Blakemore. The campaign, which has been ongoing since February 2016, includes such albums as Dig, Walkin’, Cookin’, Relaxin’, Workin’, and Steamin’, among others. The rollout is expected to be completed by May, 2016.  



Produced by Nick Phillips. Released April 22, 2016.

Individually numbered box set features 180-gram vinyl, remastered audio and 46-page booklet featuring never-before-seen photos and new liner notes by Ritenour

LOS ANGELES, Calif. — On April 22nd, 2016, Concord Records released The Vinyl LP Collection: a limited-edition, individually numbered box set celebrating a key period in the prolific solo career of renowned guitarist Lee Ritenour. The Collection contains five classic LPs by Ritenour: Earth Run (1986), Portrait (1987), Festival (1988), Color Rit (1989) and, on vinyl for the first time, the GRAMMY® Award-nominated Wes Bound (1993). These albums have each been remastered, pressed on audiophile-quality, 180-gram vinyl and restored with original artwork and liner notes. An accompanying 46-page booklet contains new liner notes by Ritenour plus never-before-seen photos and ephemera, all culled from an extensive scrapbook collection lovingly  kept by the guitarist’s late father.

The Vinyl LP Collection presents a fertile period in a storied career, which began at the age of 16, when Ritenour was hired as a session guitarist for the Mamas and the Papas, who dubbed him “Captain Fingers” for demonstrating incredible dexterity. Throughout the next decade, Ritenour became one of the most prolific session guitarists, working with the likes of Steely Dan, Pink Floyd, Aretha Franklin, Tony Bennett and Quincy Jones. Ritenour’s solo work has earned him a GRAMMY® Award and 19 GRAMMY® nominations. He has recorded more than 40 albums that have yielded 35 charting tracks, and he is widely recognized as one of the best guitarists of his generation.

“For us music lovers and folks who play music, vinyl is still the most amazing way to listen to and appreciate music,” proclaims Ritenour in his liner notes. “I'm thrilled that Concord Records and myself can present these five records remastered on 180-gram vinyl.” The Vinyl LP Collectionincludes such personnel as Academy Award-winning composer Dave Grusin, GRAMMY® Award-winning pianist Alan Broadbent, and GRAMMY® Award-winning composer David Foster, plus legendary saxophonist Kenny G and celebrated Brazilian artist Caetano Veloso.

The Vinyl LP Collection is available for preorder at: